But if when we are in the state of form where there is joy in perceiving the subject (in this case the flower). Our eyes don’t really move away from the subject.
In this case, that is the methodology used to document the lotus at this stage.
With that method, drawing is just an action of moving our arm. If we put the drawing action into the context of Buddhism in the World of form, we then do not desire to draw perfectly, nor hoping to place part of the flower logically on the paper. Immersed in the world of form, this perception of drawing can explain as an documentation of joy… probably.